MoMA Adds New Typefaces to Collection

MoMA has recently added 23 digital typefaces to its “Architecture and Design Collection.” There are some wonderful examples of beautiful letterforms here, as well as some historically important faces like OCR-A (used in barcodes). Matthew Carter, Jonathan Hoefler, Tobias Frere-Jones can collectively claim authorship to over half of the list.

Below is Hoefler & Jones’s Mercury.

Mercury Typeface

From MoMa:

This first selection of 23 typefaces represent a new branch in our collection tree. They are all digital or designed with a foresight of the scope of the digital revolution, and they all significantly respond to the technological advancements occurring in the second half of the twentieth century. Each is a milestone in the history of typography.

The 23 acquired typefaces are:

• American Type Founders OCR-A (1966)
• Wim Crouwel New Alphabet (1967)
• Matthew Carter Bell Centennial (1976-78)
• Matthew Carter ITC Galliard (1978)
• Erik Spiekermann FF Meta (1984-1991)
• Zuzana Licko Oakland (1985)
• Jeffery Keedy Keedy Sans (1991)
• Erik van Blokland and Just van Rossum FF Beowolf (1990)
• Barry Deck Template Gothic (1990)
• P. Scott Makela Dead History (1990)
• Jonathan Hoefler HTF Didot (1991)
• Neville Brody FF Blur (1992)
• Jonathan Barnbrook Mason (1992)
• Matthew Carter Mantinia (1993)
• Tobias Frere-Jones Interstate (1993-95)
• Matthew Carter Big Caslon (1994)
• Albert-Jan Pool FF DIN (1995)
• Matthew Carter Walker (1995)
• Matthew Carter Verdana (1996)
• Jonathan Hoefler and Tobias Frere-Jones Mercury (1996)
• Matthew Carter Miller (1997)
• Jonathan Hoefler & Tobias Frere-Jones Retina (1999)
• Jonathan Hoefler & Tobias Frere-Jones Gotham (2000)

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